Miki Ionescu — Digital Art

Persons

6 Series

The persons are the point of departure — anonymous faces to which the painterly-digital technique seeks to restore not identity, but the possibility of one. We do not know who they are. We only know that they existed, that someone once deemed them worthy of a photograph, that for a brief moment they looked into the lens with all the seriousness their time required. Each object introduced into the composition — a tarot card, a musical score, a distant train — becomes a sentence in a biography we cannot verify, yet one we are free to imagine.

Places

6 Series

Places extend this logic beyond the human figure, into a recognisable yet time-suspended territory. For centuries, people built here towns, churches, towers, gates, and customs; they gave names and meaning to spaces, leaving in stone and timber the traces of an entire culture. Today, that presence has faded. Successive departures have emptied these places of the voices that once animated them, leaving behind structures, details, and silence. The vintage photographs of these spaces — treated with the same cooled palette and the same painterly layer — do not function as archival documents. They are attempts to listen to what the walls still express when there is no one left to translate them. As with the portraits, the gesture remains the same: to bring back not a fact, but a vanished presence — a diffuse memory, condensed into the texture of a stone or the shadow of a tower.

Statues

6 Series

Statues, like stone angels, have stood for decades, sometimes for centuries, with the same calm expression, the same raised wing, indifferent to the seasons and to passers-by, in a suspended presence. I have always been drawn to this serenity. A sculpted figure that has remained motionless for a hundred years in a forgotten corner of the world carries within it a quiet weight that few things can match — not sadness, but a form of patience we, in our haste, have long since forgotten. The gesture of this series is simple: to take these angels from their place and bring them into the everyday world. Onto a busy street, at a café table, into the ordinary yet beautiful light of a familiar city. Not as strange or unsettling figures, but as gentle, natural presences, with all the time in the world and no sense of urgency. To see what happens when their stillness comes into contact with our restlessness. When their stone serenity sits at the same table as our unease of flesh and bone. These angels do not come to remind us of anything solemn. They simply come to sit with us for a while — and perhaps that is enough.

Series I

Incomplete faces

“Incomplete faces” explores identity through absence rather than distortion. Each portrait marks an inevitable stage of disintegration—subtle gaps, fractures, and dissolutions gradually unsettle the familiar, revealing a self that becomes increasingly unstable, unfinished, and impossible to fully grasp.

→

Series II

Distorted childhoods

"Distorted Childhood" explores the fragile boundary between identity and systems of order. A solitary child moves through spaces of measurement, classification, and performance, yet remains unresolved. Each image reveals a quiet tension—where presence resists definition, and silence becomes a form of disturbance rather than absence.

→

Series III

Wrong toy

"Wrong Toy" reflects on childhood interrupted by forces beyond choice, where play is replaced by objects of survival, power, loss, or burden. Surrounded by symbols not meant for children, innocence is reshaped too soon, and play remains only as memory, absence, or an imagined refuge.

→

Series IV

The Conversations that Never Arrived

Letters crossed oceans, borders, and wars, yet never reached the hands they sought. Lost to silence, time, and vanished lives, they remain suspended between sender and receiver—fragments of love, grief, hope, and memory. "The Conversations That Never Arrived" gives them a voice again.

→